If it hits face front, then hair around the hairline will be affected the most. Of course it’s based on the direction of the wind. What if wind comes into play? Then wind will be the focus. Remember that hair is flexible and very light. Another example is when hair is pushed upward, while the weight of hair is supported by the hands, it creates the bending of hair. Let’s say a character’s head is tilted, the hair will be perpendicular to the ground. If there’s no wind involved, the gravity is the focus. While it’s running, I’d like to point out a few key points to remember. Here’s a clip of various hair movement practice I did. Now that we’re done with the basic, let’s dive a bit deeper on hair movement which is affected by gravity and wind. Besides, the hair sections can be softly emphasised during colouring part later on too. This is personal preference, but I prefer to keep the section lines minimal to avoid it looking too jarring. I line the hair sections first based on the hair line flows I’ve sketched. I like to add smaller strand of hair and small cracks in the section to give the illusion of more convincing hair.ġ. Before that, I want to show how I draw the hair section for each ribbons. Once you’re satisfied with the sketch, proceed to lineart. This helps to create natural looking hair. My go-to method is to draw 1-3-2, these numbers refers to the widths of the ribbons.
Since this is a straight hair, I’ll proceed with straight hair line flows.ģ. Sketch hair flow lines from the focal point downward. This sets as a starting point of the hair flow and parting of hair.Ģ. I mark the focal point first in the middle.
So, the plan is to draw a straight medium hair that part in the middle with short bang.ġ.
0 kommentar(er)
