- #Color finesse 3 le full
- #Color finesse 3 le pro
- #Color finesse 3 le software
- #Color finesse 3 le license
#Color finesse 3 le software
As good as the software is, with professional features like LUTs (Look Up Tables of colour information for matching particular broadcast standards), I always found isolating secondaries to be difficult and quite slow.
#Color finesse 3 le license
This doesn't help users who want to have secondaries directly in the timeline in Premiere, as they will have to purchase a Premiere license separately and will still have to open a separate window to handle secondary colour correction.
#Color finesse 3 le full
Color Finesse allows primary colour correction only in a simplified interface, or full secondaries and scopes in its own interface. Owners of Production Premium CS5 or Master Collection CS5, both of which include After Effects, will have a bundled copy of Synthetic Aperture Color Finesse 3 LE for After Effects. Of course, this option is expensive and limited to very powerful computers only, so it's not for everyone.
#Color finesse 3 le pro
Mac Pro users with sufficient dedication to grading can now purchase Blackmagic DaVinci Resolve as a software‑only version for $999, a far cry from the previous control‑surface version, which cost nearly $30,000. If you want correction in the timeline you could use the simple colour corrector, but then you don't have the same array of options for secondary colour correction (that applied to specific colours or areas), so in‑depth work still needs to be sent to Color and rendered. But Color is a separate program, meaning that you have to send your edited sequence to Color and render files back into your FCP timeline when you're done, also known as a 'round trip'. To get an idea of exactly where Colorista 2 fits in the market, and what it's up against, let's briefly examine the competition.įor Final Cut Pro users, Apple Colour is included and can handle the bulk of grading duties. Magic Bullet Colorista 2, available from Red Giant Software, is a colour correction plug‑in for Adobe Premiere Pro CS3, 4 and 5 Adobe After Effects CS3,4 and 5 and Apple Final Cut Pro. Color Finesse 3 also handles QuickTime movies and image sequences and supports image formats from bitmap to jpeg.With so many different bundled and third‑party colour correction plug‑ins available, do Colorista 2's new features offer anything special? From the standalone application you can import projects from Final Cut Pro or create your own. The Color Finesse 3 stand-alone application is designed to do one thing and one thing only and that’s to provide its users with the best possible color correction tool possible. This is a handy feature when using video editing software with limited color correction built-in. This plugin provides you with access to color correction tools right from within the hosting application in addition to the Color Finesse interface. The Color Finesse 3 Plugin is functional with most major editing programs such as Premiere Pro, After Effects, Final Cute Pro and a few other hosts. Using the best tool for the job always leads to the best results. Synthetic Aperture’s Color Finesse 3 allows you to have control over the look, color, and mood of your photos and images easy, fast, and on point. Your settings will even carry on through application to plugin and back. Color Finesse, 3 being cross-platform, means that it works on multiple operating systems on anything from multi-processor work stations to laptops, all without needing specified video cards or more than one monitor. The Standalone program offers improved project management, workflow and video handling. However, unlike the standalone program, the plug-in version is limited by host application restrictions. Synthetic Aperture Color Finesse 3 is available as a plug-in for your favorite program like Premiere Pro, After Effects, Motion or Final Cut Pro or as an Independent Standalone Application.
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